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Gregory Ormson

Writer, musician, yoga-loving motorcyclist.

Babba, Gaia, Prana

Recorded with Audacity, Gregory Ormson lyrics and Washburn D-Series DADGAD guitar, played through Boss Acoustic Singer Pro Amp; keyboard by Randy Anagnostis on Yamaha PB125 with Focus Scarlet Gen 3 Audio Interface. One of several Anagnostis/Ormson original song collaborative pieces.

VIDEO link                      https://youtu.be/NfClYOCX3xA… read more...

Babba Nam Kevalam (desert inspirationals) by Gregory Ormson

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YOGATECTURE: building your house of truth

OM Yoga Magazine has just released their March issue including the 85th of my #yogainspirationals. Thank you OM Yoga Mag.In the Phoenix east valley, this magazine arrives two weeks after publication in the UK. In each issue you'll find yoga insights in these areas: OM Body, OM For Men, OM Fashion, OM Mind, OM Spirit, OM Living, OM Family, OM Actions, OM Teacher Zone, OM Travel. Check it out.









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SAT SONG: notes from the Salt River (two minute music & video sampler).

In the yoga tradition of reverence for life, SAT SONG provides music for participation in a magnetic blending of East and West grounded in the language of soul. Through song chant and breath focus, repetitive words and musical phrases are well-suited to accompany yin yoga classes along with yoga workshops, events, retreats, music events, and festivals. SAT SONG is Gregory Ormson (G) and Soumya (Somi) Parthasarathy.

Somi comes from a long line of yoga and classical Indian music; Somi studies Indian classical music in Chandler, Arizona and practices Astanga style yoga. She enjoys blending traditions in music, lending her voice to raise songs of the soul. G teaches yoga and has practiced music instruments and vocal from the time he joined a choir at 10. He studies sitar at the SPK Classical Indian Music Academy in Chandler, Arizona.

The words SAT and SONG, in Sanskrit and English respectively, suggests the nature of hybrid music provided by Somi and G                              ——————————————————————————————————————————————————————-Contact information for SAT SONG: gregormson@gmail.com; 808-640-4624; #motorcyclingyogiG; @GAOrmson.

Video and photography at the Salt River by Randy Anagnostis; recording by Raven Studios, Mesa, Arizona.… read more...

BENDING: a reflection on sitar

“There was something about the way he played his Stratocaster that made it seem otherwordly.” –Eric Clapton on Jimi Hendrix

My sitar flows in 19 bands of light: their names are baaj, chikari, and tarab. Its journey to my hand is a mystery, but its music-medicine came to my doorstep from an old land, gripped me from the eons, and pulled my soul into its orbit. It’s a path unlike any other, bending more than notes. A musician friend and professor said, “Its all angles.”

Saraswati dances, sitar bends, and because I’ve heard its music and felt it in my chest I participate in its step. This step is toward the depths and from them rises a watery siren-song of the fathoms.

Sitar music is a never-ending river, shepherding me to a place close and yet far away. My teacher speaks in common tones and offers up clusters of daring: “Consistency, consistency, consistency,” she says. Her words; the kernel of all learning, teaching, and the core of every guru’s curriculum.

I’ve seen the rivers of India, but I can’t put myself and my sitar on their banks; but once at dusk, on a hot July night, I made my way with this rosewood, gourd, string & steel riddle to the banks of the Salt River in east Phoenix to listen. There, I realized sitar will not accompany me without shepherding along a river of souls.

Looking to the Salt, I could almost see a funeral pyre float past; a desert inspired mirage bobbing with the current, like a lazy raft ablaze in flames, scented smoke and grief trailing behind.… read more...

Final tracks in late January for “Mescalero Territory,” by Russell Thorburn and Gregory Ormson

Hear  “When I Get Back to Marquette,” and “Mescalero Territory.”

Russell Thorburn, NEA recipient, is the author of four books of poems. His last book, Somewhere We’ll Leave the World, was published by Wayne State University Press. Currently he is producing and directing his one-act play Bomb Shelter for Black Box Theater at Northern Michigan University, where he teaches composition. It will premiere March, 2020, and includes original music for the end of the world that never happened in the sixties. www.russthorburn.com

Gregory Ormson, writer and musician living in Arizona, has collaborated with Thorburn over the last decade on word and poem projects. He writes on music, yoga, motorcycling, and landscape.

“Mescalero Territory” Lyric and voice, Russell Thorburn. Sitar, Gregory Ormson, engineered at Gummersound Studio, Marquette, Michigan.   https://drive.google.com/file/d/0B7CJeFLGYOO8YVB0NjFQSUFhR0dJV09kSjlVZ2daTk5uYU9Z/view?usp=sharing

“When I Get Back to Marquette” Russell Thorburn, Marquette, Michigan lyric; Gregory Ormson, Mesa, Arizona, music, guitar, vocal, and lyric adaptation; Mike Bjella, clarinet, Montreal, Quebec; Peter Gummerson, Marquette, Michigan, sound engineering. https://drive.google.com/file/d/1CiqMkl6W9OOuS82qWe-LASo3ytH_FNLw/view?usp=sharing

 

 

 

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MEN: Yoga’s Outliers

Check out my 83rd published yoga article, “Yoga’s Outliers,” in the January, 2020, Om Yoga and Lifestyle magazine. Better yet, get the mag. 

“Men are still the minority when it comes to yoga in the West. They are yoga’s outliers,” says Gregory Ormson.

Read MORE below …

“Yoga’s Outliers” is a featured story along with an interview of London based international yoga teacher Sarah Highfield (#yogagise), Ibiza detox retreats on the Balearic islands off the Spanish east coast, and special coverage of vegan recipes and much more for the learning yogi. Thank you #OmYogaMagazine      #yogainspirationals 83.

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December Yoga for Bikers at Superstition Harley Davidson – ARIZONA

Thanks Superstition Harley Davidson for this 80 second video. See how yoga is similar to, but has one important difference from other movement oriented activities like motorcycling, judo, and ballet.

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