Thank you @omyogamagazine April issue, for publishing “Clearing Space,” #yogainspirationals number 96. It’s appropriate to our situation as the virus is doing its best to make us do the work of the niyamas. In “Clearing Space,” I cite the writing of San Francisco based yoga teacher, musician, and leader @janetstoneyoga, who spoke of this work as being an inside job in her newsletter from December, 2019, “Unwrapping Your Gifts, Healing Family Wounds.” “Buckle up, it’s not for the faint of heart,” she wrote. In the US, we have lots of buckling up to do. Friends . . . Clear Space, and do it now before its too late.
“There was something about the way he played his Stratocaster that made it seem otherwordly.” –Eric Clapton on Jimi Hendrix
My sitar flows in 19 bands of light: their names are baaj, chikari, and tarab. Its journey to my hand is a mystery, but its music-medicine came to my doorstep from an old land, gripped me from the eons, and pulled my soul into its orbit. It’s a path unlike any other, bending more than notes. A musician friend and professor said, “Its all angles.”
Saraswati dances, sitar bends, and because I’ve heard its music and felt it in my chest I participate in its step. This step is toward the depths and from them rises a watery siren-song of the fathoms.
Sitar music is a never-ending river, shepherding me to a place close and yet far away. My teacher speaks in common tones and offers up clusters of daring: “Consistency, consistency, consistency,” she says. Her words; the kernel of all learning, teaching, and the core of every guru’s curriculum.
I’ve seen the rivers of India, but I can’t put myself and my sitar on their banks; but once at dusk, on a hot July night, I made my way with this rosewood, gourd, string & steel riddle to the banks of the Salt River in east Phoenix to listen. There, I realized sitar will not accompany me without shepherding along a river of souls.
Looking to the Salt, I could almost see a funeral pyre float past; a desert inspired mirage bobbing with the current, like a lazy raft ablaze in flames, scented smoke and grief trailing behind.… read more...
- The practitioner is ATTENTIVE to breath while focused on the process of asana and quiet.
- In movement, consciously linked to breath, we produce the rhythmic effect of life. It’s what humans have done for centuries; and therein lays yoga’s simple yet profound magic: breath in movement and rhythm.
- When a yogi comes home to their breath-centric core they kiss the soul to receive their full inheritance.
- At the center point, breath is the building of consciousness and through breath in heightened consciousness, jettisoning old scripts, the yogi constructs a personal story of renewal formed by inspiration.
- A breath focus narrows the gap between body and mind so that when the yogi concentrates on the physical act of breathing, the mind comes into the here and now.
- Breathing is both automatic and responsive to signals.
- Anyone can relieve tension within the body by using breath.
- Vinyasa is really about breath directed by asana.
- The all-encompassing breath within (samana vayu) circulates from the solar plexus in the middle of the body and contributes to healthy metabolism and digestion.
- Breath movement is secondary muscular movement.
- Pranayama (breath management) is a “calm and lucid entrance into the very essence of life.” M. Eliade
- When yoga teaches us to breathe with ease and move in awareness, and when we learn to arrive at a pose – and life – with equanimity, that memory is lodged as experience in the body. In this way, yoga’s therapeutic is embodied and forges a connection between the physical and non-physical. It works by calming the body to treat agitation driving the monkey mind, for while stress is perceived in the mind it is felt in the body.