Gregory Ormson

Writer, musician, yoga-loving motorcyclist.

Community Yoga & Bhakti Music at BuddhasBrewCafe with SAT SONG

Sunday, July 25, 3:00-4:30 at Buddhas Brew Coffee Cafe 

RESERVE your place RSVP gregormson@gmail.com  (limit 18)

Feed your soul and spirit with song, breath, and yoga led by Greg and Somi, musicians and yoga teachers forming SAT SONG in a blending of East and West in meditative moves and song. All Welcome! $15 includes a cold brew coffee or tea from Buddha’s Brew. Once you go to Buddhas Brew, you will return  as a customer. Located @ 710 E Main St., Mesa. Space for 18, no experience required.  #buddhasbrewcoffeecafe… read more...

Babba, Gaia, Prana

Recorded with Audacity, Gregory Ormson lyrics and Washburn D-Series DADGAD guitar, played through Boss Acoustic Singer Pro Amp; keyboard by Randy Anagnostis on Yamaha PB125 with Focus Scarlet Gen 3 Audio Interface. One of several Anagnostis/Ormson original song collaborative pieces.

VIDEO link                      https://youtu.be/NfClYOCX3xA… read more...

GATHERING AT THE VALLEY OF FLUID ANGLES

Words and music below for my spoken word piece accompanied by sitar.

My friend Dino Corvino in his, “Here You Are Wausau” podcast will be focusing on Writing in Public – what he also calls citizen journalism – in his next few episodes. He’ll be speaking with a few friends that write, talking about his own writing, and will publish these podcasts soon.
I spoke with him regarding aspects of writing: process, ego, why we write, how we started, and more. It was lots of fun, and in the middle of our convo, drawing from an experience with my friend Randy here in Arizona, I stated that a writer also puts something in the public eye to make a statement.
This strikes me as a credo for all artists, and while I’ve not put anything in public with sitar before, here is a combined sitar and written word work. Wait till it’s dark, light a candle, hear the story and sound wash over you like a gentle river.

My sitar flows in 19 bands of light: baaj, chikari, and tarab. Its journey to my hand is a mystery, but its music-medicine came to my doorstep from an old land, gripped me from the eons, and pulled my soul into its orbit. It’s a path unlike any other, bending more than notes.

A musician said, “Its all angles.”

Sitar bends the note, Saraswati dances with a swan, and because I’ve felt this resonance I participate in its step toward the depths from which rises a watery siren-song of the fathoms.

Sitar bends the note, Saraswati dances with a swan, and because I’ve felt this resonance I participate in its step toward the depths from which rises a watery siren-song of the fathoms.… read more...

NATIONAL POETRY MONTH: a poetry/song series for the last 8 days of April. Number 8, “Hour of the Wolf – Pilot Me.”

All those yellow lines we cross over in our sleep. This is how we are driving through the pandemic head on with the night and winter’s disguise. Here is Greg singing a Jesus song. Picture the musician with his guitar riding a bus across the Upper Peninsula and using a handheld mike to record the Jesus song. He departs from Jesus to read a poem entitled “Hour of the Wolf,” a homage to Ingmar Bergman and his vampire film he made with his former love Liv Ullman, who happened to be pregnant with his child. But always return to the “pilot” and those late-night scenes moving through winter on a bus. R. Thorburn

I read Thorburn’s “Hour of the Wolf,” from one of his poetry books, The Drunken Piano, shortly after its publication in 2009. I knew what it was to see my reflection in a bus window at 3:00 am, and I could hear the bus driver singing a blues song, late at night, driving his life away. I felt what it was to be mid-twenties and anxious; I knew the pinch of wire-rim glasses.

I wanted the wolfing hour to have a melody, maybe a divinity to accompany that grainy ride, and I came up with the song below – borrowing from Edward Hopper’s Hymn, “Jesus Savior Pilot Me” as a floating refrain from the incessant and noisy wheels of the bus. I saw Thorburn and the bus passengers related by anxiety to disciples in a boat on a stormy sea, and as I see many people these days, anxious about something they can’t see.… read more...

NATIONAL POETRY MONTH: a poetry/song series for the last 8 days of April. Number 7, “Lightning and Scars”

It all began on a rainy afternoon at a window inside Peter Gummerson’s house. Looking out the window, my fingers wrapped around chords on his Nord keyboard. I was recording a song entitled “8 Track.“ The original lyrics were taken from two poems and two different parts to my life—one was a runaway nineteen year old and the other a twenty-three year old in love with an older woman. Derrell Syria visited gummersound and laid down guitar throughout the three separate suites in the song. R. Thorburn

My words explore a soul’s stretch toward a white star emerging from lightning; a blending of  Michigan & Wisconsin land and water into a memoir piece I have been writing – on and off – for 15 years. Thorburn gave me advice for selecting edits from two long stories, here melted down to this four minute word/music offering. G. Ormson

 

 

 

 

 

 

 

 

 

 

 

 

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NATIONAL POETRY MONTH: a poetry/song series the last 8 days of April. Number 2, “Mescalero Territory.”


Russell Thorburn and Gregory Ormson have worked together for over a decade writing original poems, prose, and music. Much of it happens in spite of distance and isolation. The seven songs/poems, posted for NATIONAL POETRY MONTH during April, are Ormson/Thorburn’s word/song series for the pandemic.

Isolated in an Upper Midwest studio, musicians record their work for “Mescalero Territory.” A sitar introduces the fever of an injured and isolated outlaw, holed up in a barn where Billy the Kid fights off rats and nightmares. The poet reads this story of “Mescalero Territory” to original sitar accompaniment.

 

 

https://www.youtube.com/watch?v=QVeVBcoVlPU&app=desktop

Poem/song notes for number 2, “Mescalero Territory. ” Writer and reader, Russell Thorburn. Sitar, Gregory Ormson, Mixed Peter Gummerson @ Gummersound, Marquette, Michigan.… read more...

YOGATECTURE: building your house of truth

OM Yoga Magazine has just released their March issue including the 85th of my #yogainspirationals. Thank you OM Yoga Mag.In the Phoenix east valley, this magazine arrives two weeks after publication in the UK. In each issue you'll find yoga insights in these areas: OM Body, OM For Men, OM Fashion, OM Mind, OM Spirit, OM Living, OM Family, OM Actions, OM Teacher Zone, OM Travel. Check it out.
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YOGA FOR BIKERS AT SUPERSTITION HARLEY DAVIDSON JAN. 2020

https://www.youtube.com/watch?v=opNRRVg8O_M&fbclid=IwAR1dhY2SAY7UoYw_V_Kx0ADow7_hK6K1hQSspYGpbhAmo7FjglJIz3ysNDY

Piano, photography, and videography by the talented Randy Anagnosis. He’s been an east coast marketer, recording artist, and now photographer for Superstition Harley Davidson. Anagnosis’ first CD was “Dreams,” c 1996, sold in hundreds of yoga studios. A second piano-driven album was “Full Moon Rising.” He also did a jazz album, “Thunder and Light.”

Video courtesy of Anagnosis, and Superstition Harley Davidson. Thanks to all the bike and yoga folks that showed up too. #motorcyclingyogiG

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BENDING: a reflection on sitar

“There was something about the way he played his Stratocaster that made it seem otherwordly.” –Eric Clapton on Jimi Hendrix

My sitar flows in 19 bands of light: their names are baaj, chikari, and tarab. Its journey to my hand is a mystery, but its music-medicine came to my doorstep from an old land, gripped me from the eons, and pulled my soul into its orbit. It’s a path unlike any other, bending more than notes. A musician friend and professor said, “Its all angles.”

Saraswati dances, sitar bends, and because I’ve heard its music and felt it in my chest I participate in its step. This step is toward the depths and from them rises a watery siren-song of the fathoms.

Sitar music is a never-ending river, shepherding me to a place close and yet far away. My teacher speaks in common tones and offers up clusters of daring: “Consistency, consistency, consistency,” she says. Her words; the kernel of all learning, teaching, and the core of every guru’s curriculum.

I’ve seen the rivers of India, but I can’t put myself and my sitar on their banks; but once at dusk, on a hot July night, I made my way with this rosewood, gourd, string & steel riddle to the banks of the Salt River in east Phoenix to listen. There, I realized sitar will not accompany me without shepherding along a river of souls.

Looking to the Salt, I could almost see a funeral pyre float past; a desert inspired mirage bobbing with the current, like a lazy raft ablaze in flames, scented smoke and grief trailing behind.… read more...

Final tracks in late January for “Mescalero Territory,” by Russell Thorburn and Gregory Ormson

Hear  “When I Get Back to Marquette,” and “Mescalero Territory.”

Russell Thorburn, NEA recipient, is the author of four books of poems. His last book, Somewhere We’ll Leave the World, was published by Wayne State University Press. Currently he is producing and directing his one-act play Bomb Shelter for Black Box Theater at Northern Michigan University, where he teaches composition. It will premiere March, 2020, and includes original music for the end of the world that never happened in the sixties. www.russthorburn.com

Gregory Ormson, writer and musician living in Arizona, has collaborated with Thorburn over the last decade on word and poem projects. He writes on music, yoga, motorcycling, and landscape.

“Mescalero Territory” Lyric and voice, Russell Thorburn. Sitar, Gregory Ormson, engineered at Gummersound Studio, Marquette, Michigan.   https://drive.google.com/file/d/0B7CJeFLGYOO8YVB0NjFQSUFhR0dJV09kSjlVZ2daTk5uYU9Z/view?usp=sharing

“When I Get Back to Marquette” Russell Thorburn, Marquette, Michigan lyric; Gregory Ormson, Mesa, Arizona, music, guitar, vocal, and lyric adaptation; Mike Bjella, clarinet, Montreal, Quebec; Peter Gummerson, Marquette, Michigan, sound engineering. https://drive.google.com/file/d/1CiqMkl6W9OOuS82qWe-LASo3ytH_FNLw/view?usp=sharing

 

 

 

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Silence and Slow Time

The December 2019 Om Yoga Magazine has published “Silence and Slow Time,” the 82nd of my published yoga articles under (#yogainspirationals). Thank you OM. Also see in this fine 114 page issue features on yoga at home and office, aromatherapy, meditation, breath work (pranayama), body positivity, and many more necessary reads for your yoga practice. In addition, as an end of year bonus OM Yoga Magazine has included a 2020 calendar and a 50 page insert on “incredible yoga retreats from around the world.” I’m honored to be a regular contibutor for OM Yoga and Lifestyle Magazine.

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SAT SONG

Over the last 15 months, Soumya and I have been practicing music of the soul by working on bhakti music, blending traditions of the East and West. Our band Sat Song (truth song) has a first event Thursday night in Tempe. We’ll perform for the 10 year Anniversary Celebration of the Arizona Interfaith Power and Light organization. This is an organization demonstrating much needed cooperation and respect in our day of division along religious and cultural lines. I’m pleased to be part of this event. Wish us well!

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Breath Notes

 

  • The practitioner is ATTENTIVE to breath while focused on the process of asana and quiet.
  • In movement, consciously linked to breath, we produce the rhythmic effect of life. It’s what humans have done for centuries; and therein lays yoga’s simple yet profound magic: breath in movement and rhythm.
  • When a yogi comes home to their breath-centric core they kiss the soul to receive their full inheritance.
  • At the center point, breath is the building of consciousness and through breath in heightened consciousness, jettisoning old scripts, the yogi constructs a personal story of renewal formed by inspiration.
  • A breath focus narrows the gap between body and mind so that when the yogi concentrates on the physical act of breathing, the mind comes into the here and now.
  • Breathing is both automatic and responsive to signals.
  • Anyone can relieve tension within the body by using breath.
  • Vinyasa is really about breath directed by asana.
  • The all-encompassing breath within (samana vayu) circulates from the solar plexus in the middle of the body and contributes to healthy metabolism and digestion.
  • Breath movement is secondary muscular movement.
  • Pranayama (breath management) is a “calm and lucid entrance into the very essence of life.” M. Eliade
  • When yoga teaches us to breathe with ease and move in awareness, and when we learn to arrive at a pose – and life – with equanimity, that memory is lodged as experience in the body. In this way, yoga’s therapeutic is embodied and forges a connection between the physical and non-physical. It works by calming the body to treat agitation driving the monkey mind, for while stress is perceived in the mind it is felt in the body.
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