Thank you BAD YOGI MAGAZINE for publishing yogainspirationals 74. Read and share.
During my seventh year practicing yoga I started learning the sitar.
Immediately I realized it was a hard instrument to play and its technology is ancient: there’s a huge gap between frets and the strings which are painful on the fingers; the metal sitar pic winds tightly on the finger and pinches; the instrument’s lightweight strings go out of tune easily and there are 21 of them; but most of all, the traditional playing style requires sitting on the floor with the left leg crossed under the right while the sitar neck rests over the right thigh with the sound gourd perched on top of the left foot. This position is hard on the left knee, back, legs, hips, and both ankles.
At one point during my practice in the last few months, I started doing yoga before playing. I needed to set my legs, hips, and back at ease. When I did this first, I realized I could sit longer and concentrate better and my yoga practice tied directly to sitar practice became my daily ritual.
This two-step approach to sitar practice – beginning with yoga – became my entre into the world of classical Indian music. I now view yoga as my commencement ritual, and I won’t even try playing sitar without first doing yoga, or at the very least, until after breath work. Yoga and sitar, including savasana, tune me up for my day; now I hesitate to go out in public before this commencement.
A NEW TAKE ON AN OLD SKILL
I sang in a boys’ choir at age 10 and once performed with a small group at the World’s Fair in New York at age 11.… read more...
Shipra Saraogi (pictured) at the Usery Mountain Regional Park, Mesa, Arizona.
#MotorcyclingyogiG teaches yoga for riders (YOGA AND LEATHER) at Superstition Harley-Davidson in Apache Junction, Arizona. His classes demonstrate to riders how they might use their bike for a prop to stretch when taking a break from the road with the goal of keeping riders in the saddle.
Shipra Saraogi, yoga teacher and performance artist from New York City, stopped by Superstition Harley-Davidson and the Arizona desert for some warm up-on Greg’s 2016 HD Road King. This not recommend or taught in Yoga and Leather.
March 31, 2019 is the date for our next “Stretch Ride,” in Arizona led by #motorcyclingyogiG, Gregory Ormson. Meet at Superstition Harley Davidson 10:30 am. Ride to the desert, stretch, breathe, pose.
Tune into Diet and fitness
Sculpt body and breath
Develop mental and physical strength
Learn self-discipline and willpower
Study yoga poses and competition poses
Experiment with movement
Parallels with yoga are direct and applicable, starting with one’s intention long before lifting a weight or stepping onto a yoga mat. Yoga or athletic outcomes are unique to each person, but mental discipline and focus is required for both.
Mr. Darton has delivered workshops around the world detailing what it takes to sculpt a human statue. He will tell his story and offer experimental movements based on his lifelong experience and expertise.
People are drawn to Marlon and enriched by his knowledge and experience. The workshop will conclude with a brief yoga session.
REGISTER AT MOTTOYOGA.COM. Click on the Menu and choose the WORKSHOP option.
$25. in advance.
Thank you OM Yoga and Lifestyle magazine (UK) for publishing my 72nd YogaInspirational, “Traveling OM,” December, 2018
By Dr. Gregory Ormson
THE POWER OF OM: rediscovering the deep, abiding peace of coming home in a frantic world.
“We are stardust, we are golden, we are billion-year old carbon…” Lyrics from the song Woodstock suggest that we are made of cosmic energy and matter. We have a hard time believing it because there are very few places that affirm such a grandiose and luminous being. But when we yoga, we participate in a pattern that moves the stars, and positions us to touch an inner OM at the core of our being.
In a soft chant of OM, rooted and expressed from the core, our cares are set free. Then we note our deepest truth: we are beings at one with a divinely animated critical mass of stardust and carbon waiting to meet and welcome us home.
But cultural voices bombard us with an unending cacophony of negativity and dismissal. This poisonous milieu is designed to make us feel small and inadequate, serving us from a menu of strife and anxiety. News and current events can leave us feeling like we’re a nonsignificant cog in a great drama that’s happening elsewhere.
The world is effective at labeling and objectifying. It does so with convenient categories submitted for fast indexing and stereotyping: age, race, sex, job, income, and education level. But a mountain is more than a geode, a river more than an eddy, men and women more than insignificant pieces of something more important.… read more...
In a lifetime practice, the yogi inhabits a ritual container where they are steeped in hours of wordless, focused being. This fortunate choice of assembly over disassembly shapes them through a soul dialysis that cleanses.
Their inner fire is animated by breath and stilled in meditative gaze. Their embodiment of asana and mobilization of prana rises anew in the “fierce breath” of simhasana. This breath elevates sleepy diaphragms and makes avatars of humans.
Yogis come to know their practice braids them to a light not of this world, and their time on the mat is not like the rest of life; neither is a yoga class just another class but a life-saving reclassification of the nature of being, steeped in a history of insight, and grown from the dimensions of meditation and mindfulness.
Yoga as moral and physical compass is revealed in stages as the yogi begins with sankalpa, or solemn vow for practice. Step by step through intention and awareness, the yogi encounters the core tenants of hatha which bring them to self. There, hand in glove with self and the philosophical satyagraha of the practice, the yogi is transformed.