Thank you Asana Journal
Thank you Asana Journal
In the West, we understand the notion of ego as the anchor of our public identity. While it’s not talked about in casual conversation, some psychology terms are part of our regular vocabulary to the degree that most of us have some understanding of the unconscious. No matter how we interpret the unconscious today, it lays the groundwork for a post-modern study of personality and the mind.
Ego isn’t a bad word. Ego is necessary, and having an ego allows us to differentiate ourselves from others. Ego is part of our engagement in place and time. The Yoga Sutras of Patanjali, an oft-cited yoga philosophy document, even point to ego’s role in identity formation, using the word ahamkara(a) as the sense of “I” or one of ego’s three aspects.
The ego is elusive though because humans are complex. The American poet Walt Whitman wrote in “Song of Myself,” “Do I contradict myself? Very well then, I contradict myself, (I am large, I contain multitudes.).”
The truth is, we are all multitudes and it’s only a question of how conscious we are of this.
Recorded with Audacity, Gregory Ormson lyrics and Washburn D-Series DADGAD guitar, played through Boss Acoustic Singer Pro Amp; keyboard by Randy Anagnostis on Yamaha PB125 with Focus Scarlet Gen 3 Audio Interface. One of several Anagnostis/Ormson original song collaborative pieces.
VIDEO link https://youtu.be/NfClYOCX3xA… read more...
My daughter returned from a study trip to Nicaragua several years ago and gave me this small painting from a local artist. Today, sunlight fell on it from behind so it appeared as if lights were on inside.
In the moment, it reminded me of Lighten our Darkness: Toward an Indigenous Theology of the Cross, by Douglas John Hall (January, 1980), a book I read in systematic theology that expanded my apprehension of the human condition and informed my interpretations for many years.
In these years, when my developmental task is to steer a way between generativity and despair, the reminder from Hall from many years ago is to lighten the darkness in the midst of darkness.
A breakthrough by the light – no matter how insignificant it seems – moves my hands to caress the wheel of generativity and hold to hope. A simple painting and sunlight; reminders to lighten our darkness within and without.… read more...
Video of wild Mustang grazing in the Arizona desert, filmed by Randy Anagnostis and accompanied by his original music and keyboard playing. We collaborated on a project which asked for a reading of Earth Teach fitted to a natural scene.… read more...
OM Yoga Magazine has just released their March issue including the 85th of my #yogainspirationals. Thank you OM Yoga Mag.In the Phoenix east valley, this magazine arrives two weeks after publication in the UK. In each issue you'll find yoga insights in these areas: OM Body, OM For Men, OM Fashion, OM Mind, OM Spirit, OM Living, OM Family, OM Actions, OM Teacher Zone, OM Travel. Check it out.… read more...
Piano, photography, and videography by the talented Randy Anagnosis. He’s been an east coast marketer, recording artist, and now photographer for Superstition Harley Davidson. Anagnosis’ first CD was “Dreams,” c 1996, sold in hundreds of yoga studios. A second piano-driven album was “Full Moon Rising.” He also did a jazz album, “Thunder and Light.”
Video courtesy of Anagnosis, and Superstition Harley Davidson. Thanks to all the bike and yoga folks that showed up too. #motorcyclingyogiG
“There was something about the way he played his Stratocaster that made it seem otherwordly.” –Eric Clapton on Jimi Hendrix
My sitar flows in 19 bands of light: their names are baaj, chikari, and tarab. Its journey to my hand is a mystery, but its music-medicine came to my doorstep from an old land, gripped me from the eons, and pulled my soul into its orbit. It’s a path unlike any other, bending more than notes. A musician friend and professor said, “Its all angles.”
Saraswati dances, sitar bends, and because I’ve heard its music and felt it in my chest I participate in its step. This step is toward the depths and from them rises a watery siren-song of the fathoms.
Sitar music is a never-ending river, shepherding me to a place close and yet far away. My teacher speaks in common tones and offers up clusters of daring: “Consistency, consistency, consistency,” she says. Her words; the kernel of all learning, teaching, and the core of every guru’s curriculum.
I’ve seen the rivers of India, but I can’t put myself and my sitar on their banks; but once at dusk, on a hot July night, I made my way with this rosewood, gourd, string & steel riddle to the banks of the Salt River in east Phoenix to listen. There, I realized sitar will not accompany me without shepherding along a river of souls.
Looking to the Salt, I could almost see a funeral pyre float past; a desert inspired mirage bobbing with the current, like a lazy raft ablaze in flames, scented smoke and grief trailing behind.… read more...
Hear “When I Get Back to Marquette,” and “Mescalero Territory.”
Russell Thorburn, NEA recipient, is the author of four books of poems. His last book, Somewhere We’ll Leave the World, was published by Wayne State University Press. Currently he is producing and directing his one-act play Bomb Shelter for Black Box Theater at Northern Michigan University, where he teaches composition. It will premiere March, 2020, and includes original music for the end of the world that never happened in the sixties. www.russthorburn.com
Gregory Ormson, writer and musician living in Arizona, has collaborated with Thorburn over the last decade on word and poem projects. He writes on music, yoga, motorcycling, and landscape.
“Mescalero Territory” Lyric and voice, Russell Thorburn. Sitar, Gregory Ormson, engineered at Gummersound Studio, Marquette, Michigan. https://drive.google.com/file/d/0B7CJeFLGYOO8YVB0NjFQSUFhR0dJV09kSjlVZ2daTk5uYU9Z/view?usp=sharing
“When I Get Back to Marquette” Russell Thorburn, Marquette, Michigan lyric; Gregory Ormson, Mesa, Arizona, music, guitar, vocal, and lyric adaptation; Mike Bjella, clarinet, Montreal, Quebec; Peter Gummerson, Marquette, Michigan, sound engineering. https://drive.google.com/file/d/1CiqMkl6W9OOuS82qWe-LASo3ytH_FNLw/view?usp=sharing
Thanks Superstition Harley Davidson for this 80 second video. See how yoga is similar to, but has one important difference from other movement oriented activities like motorcycling, judo, and ballet.… read more...
With appreciation for your summary of YOGA & LEATHER: Yoga for Bikers (Starting Oct. 9th)
” . . . to improve the health and wellbeing of motorcyclists.” Yep, that’s it!
If ANY OF YOU have interest in Yoga for Bikers, a program at Superstition Harley Davidson now in its third year, here is a reminder of October’s yoga and bike events:
Wednesday October 9, 4:30 pm in the Eagle’s Nest
Wednesday October 23, 4:30 pm in the Eagle’s Nest
Sunday October 27, 10:30 am starting in the West Parking lot at SHD
Each year there are slight changes. This year, we’ll focus on a breath-centric class and slow movements in ease.
The “STRETCH RIDE” will take place the LAST Sunday of every month, starting at 10:30. We’ll ride a short distance to a green or desert space and there spend 15-20 minutes in breath awareness and quiet. Then we use the bikes for a few “stretch poses.” Motorcycles are perfect for this, they are stable props but also transfer us from place to place. The “stretches” are portable too.
What you do in Yoga for Bikers:
This beginner level class is offered to riders to stretch the areas where we feel tightness: hips, shoulders, back, and neck.
The purpose is to keep riders in the saddle longer by working gently toward flexibility and balance. This means longer at a time, but more importantly, longer for life.
The side benefit of all yoga is learning to be at ease in the midst of stress.… read more...