Gregory Ormson

Page sharing events and writing on yoga, motorcycling, and music from Gregory Ormson (MotorCyclingYogiG)

Gregory Ormson writes, rides his Harley-Davidson, plays guitar, and teaches yoga for bikers at Superstition Harley Davidson. He lives in Arizona. In July, he was awarded the Eastern Iowa Review / Port Yonder Press Issue 3 long form lyric essay award for 2017.

What others say about Ormson’s nonfiction writing:

“These essays show us the soul of a father, a woodsman, and companionable philosopher shaped by beauty and grace . . . it is wise, lyrical, reverential, and above all wild.”
–Jonathon Johnson Ph.D., professor at the Inland Northwest Center for Writers, the MFA program at Eastern Washington University. Author of Mastodon, 80% Complete, Hannah and the Mountain: Notes toward a Wilderness Fatherhood, and others.

As a fellow midwesterner who has, like the author, lived in many places outside the region, Gregory Ormson’s essay, Midwest Intimations, rang true. From the typical Midwestern reticence to our love/hate relationship with winter, I found myself, as I read, loving even more, the place I chose to return to, the place I’ll always call home, no matter where I live. As Ormson said so eloquently, “I hang my hat on these anchors: a deer in the woods, the dragonfly hatch in May, and the startling retort of hardwoods in frigid February.” Ormson reminds readers what it’s like to be a Midwesterner and how region helps shape us into who we are and who we will become. (Kelly Garriott Waite, contributor to Eastern Iowa Review, Issue 3, summer 2017, Honoring the Lyric Essay.

“He’s working his best vital swirls when he’s taking risks or defining spirit quests: we follow his voice as naturally as ‘lizard, spider, dragonfly and sun.”
–Russell Thorburn M.F.A. Wayne State University, author of Approximate Desire, Father Tell me I Have Not Aged, and more.

“Like the tangled roots of trees, his words reveal visible and invisible sensory connections: the accommodating heartbeats of a drum circle, the thirsty tap of weasel claws which reverberate up to the moon, the archetypical pleasure of a warm fire on a cold night.”
–Kathleen Heidmann, M.A. Northern Michigan University, President, Save the Wild U.P.

“The common earthly elements of seasons and land and water present almost secular liturgies and litanies of heartbreak and loss . . . and tamed hope amidst a jaded world . . . they reveal a ‘dimension of depth’ and ‘ecstatic reason.’
–Bob Ahern, Ph.D., Professor of Clinical Psychology and Social Work The Ohio State University.

Recent Posts

SAT SONG: notes from the Salt River (two minute music & video sampler).

In the yoga tradition of reverence for life, SAT SONG provides music for participation in a magnetic blending of East and West grounded in the language of soul. Through song chant and breath focus, repetitive words and musical phrases are well-suited to accompany yin yoga classes along with yoga workshops, events, retreats, music events, and festivals. SAT SONG is Gregory Ormson (G) and Soumya (Somi) Parthasarathy.

Somi comes from a long line of yoga and classical Indian music; Somi studies Indian classical music in Chandler, Arizona and practices Astanga style yoga. She enjoys blending traditions in music, lending her voice to raise songs of the soul. G teaches yoga and has practiced music instruments and vocal from the time he joined a choir at 10. He studies sitar at the SPK Classical Indian Music Academy in Chandler, Arizona.

The words SAT and SONG, in Sanskrit and English respectively, suggests the nature of hybrid music provided by Somi and G                              ——————————————————————————————————————————————————————-Contact information for SAT SONG: gregormson@gmail.com; 808-640-4624; #motorcyclingyogiG; @GAOrmson.

Video and photography at the Salt River by Randy Anagnostis; recording by Raven Studios, Mesa, Arizona.… read more...

YOGA FOR BIKERS AT SUPERSTITION HARLEY DAVIDSON JAN. 2020

Piano, photography, and videography by the talented Randy Anagnosis. He’s been an east coast marketer, recording artist, and now photographer for Superstition Harley Davidson. Anagnosis’ first CD was “Dreams,” c 1996, sold in hundreds of yoga studios. A second piano-driven album was “Full Moon Rising.” He also did a jazz album, “Thunder and Light.”

Video courtesy of Anagnosis, and Superstition Harley Davidson. Thanks to all the bike and yoga folks that showed up too. #motorcyclingyogiG

 … read more...

BENDING: a reflection on sitar

“There was something about the way he played his Stratocaster that made it seem otherwordly.” –Eric Clapton on Jimi Hendrix

My sitar flows in 19 bands of light: their names are baaj, chikari, and tarab. Its journey to my hand is a mystery, but its music-medicine came to my doorstep from an old land, gripped me from the eons, and pulled my soul into its orbit. It’s a path unlike any other, bending more than notes. A musician friend and professor said, “Its all angles.”

Saraswati dances, sitar bends, and because I’ve heard its music and felt it in my chest I participate in its step. This step is toward the depths and from them rises a watery siren-song of the fathoms.

Sitar music is a never-ending river, shepherding me to a place close and yet far away. My teacher speaks in common tones and offers up clusters of daring: “Consistency, consistency, consistency,” she says. Her words; the kernel of all learning, teaching, and the core of every guru’s curriculum.

I’ve seen the rivers of India, but I can’t put myself and my sitar on their banks; but once at dusk, on a hot July night, I made my way with this rosewood, gourd, string & steel riddle to the banks of the Salt River in east Phoenix to listen. There, I realized sitar will not accompany me without shepherding along a river of souls.

Looking to the Salt, I could almost see a funeral pyre float past; a desert inspired mirage bobbing with the current, like a lazy raft ablaze in flames, scented smoke and grief trailing behind.… read more...

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